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Showing posts with label Matthew Flamm. Show all posts
Showing posts with label Matthew Flamm. Show all posts

Saturday, August 31, 2013

E-Books Have Higher Margins Than Print Editions

E-Books = Higher Margins
Many people understand that e-books provide higher margins (not revenues, but margins) than their print cousins on a very simplistic level (which happens to be my level) --- but, we are going to try to examine a little deeper tonight why this is, indeed, a fact of life using some industry financial numbers; while at the same time discussing some numbers involved in the Random House/Penguin merger that support the proposition.

Have I bitten off more than I can chew? Probably --- but, what the hell.

Basically (simplistically), the profit margin can increase when you cut or eliminate costs associated with the production of the product (books in our case - and costs such as printing, binding, warehousing and shipping, etc.). The lower cost to produce the product results in a lower unit price and therefore overall revenues --- but, the profit margin made on each lower unit cost can rise due to these same eliminated production costs. 

Matthew Flamm, writes this for Crain's New York Business :


In last hurrah, Random House books record profits


Thanks to bestsellers like Dan Brown's Inferno and Sheryl Sandberg's Lean In, Random House Inc. boasted record profits for the first half of 2013, parent company Bertelsmann reported Friday in what will be the last earnings announcement for the publisher as a stand-alone unit. Sales, however, dipped slightly.
Random House merged with Penguin on July 1 to become the Manhattan-based global publishing giant Penguin Random House.
Compared to the same period a year ago, Random House revenue fell 3% to 915 million euros or $1.2 billion. Operating income rose 4% to 117 million euros or $155 million. A Penguin Random spokesman credited the increase in profits to "cost discipline" and strong sales growth overseas in e-books, which have higher margins than print editions.
The dip in sales revenue reflected the comparison with the unusually strong first half of 2012, when the Fifty Shades trilogy was topping bestseller lists. The "mommy porn" novels padded this year's sales as well, however, selling an additional 5 million copies in both print and digital editions.
As a portion of worldwide sales, e-books fell to 20% of the total from 22% a year ago, largely due to the drop-off from Fifty Shades, according to the spokesman.
Penguin also recently reported solid results, with a 6% jump in sales and a 14% spike in profits for the first half. Penguin's parent company Pearson owns 47% of the merged company, with Bertelsmann owning the rest.
"We can all take pride in what we have accomplished—both culturally and commercially—in the last eight months pre-merger, and in the last eight weeks as a new company," Penguin Random CEO Markus Dohle wrote in a letter Friday to the company's more than 10,000 employees. "As we begin this ever-important fall and holiday publishing and selling season, let's further deepen our collaboration and shared sense of purpose as we make the most of our fantastic lineup of books worldwide."
Now, more on why e-books have higher margins by Jim Milliot in Publishers Weekly:

E-book Sales Bolster Publishers' Bottom Lines

Higher e-book sales bolster the bottom-line at the big five while curtailing revenue growth


Although costs associated with reaching e-book settlements with the Department of Justice and state attorneys general cut into some houses’ profits, none of the big-five trade publishers posted a margin of less than 9% in 2012. And more than one publisher (or parent company) said higher sales of e-books is boosting its bottom-line—even if e-books are curtailing revenue growth—and should lead to higher margins in the future.
In its 10-K filing with the Securities & Exchange Commission, Simon & Schuster parent company CBS observed that “underlying publishing results reflect margin growth associated with an increase in the mix of revenues from digital book sales, which have lower production and distribution costs than print books. As the publishing business continues to transition to an increasing mix of digital book sales compared to print book sales, profit margins are expected to continue to grow.” S&S was one of the companies whose profits were hurt by legal and settlement costs. In both 2011 and 2012, S&S’s earnings also reflected restructuring charges—$3 million last year, primarily reflecting costs associated with combining several of S&S’s adult imprints, and charges of $2 million the year before due to severance costs.

Continued






Monday, October 1, 2012

How Bout Them Print Mags

Publishers launched 155 magazines in
the first three quarters of 2012, among
 them Fairchild Publications' men's fashion
 quarterly M and northeast Mississippi's new
 lifestyle title Mud & Magnolias.


Print mags are sticking around --- So says Matthew Flamm, one of my favorite publishing intelligencias, reporting for Crain's New York Business.

I have predicted numerous times that print magazines (and books, for that matter) will never go away completely. See this blog's archives as well as my Publishing/Writing: Insights, News, Intrigue  blog.

Publishers launched 155 new print magazines in the first three quarters of 2012 against only 55 that folded during this same time period.

Now, this from Matthew Flamm:

Print magazines finally find some equilibrium

Nine months into the year, one media trend seems clear: titles may come and go, but magazines made from paper-and-ink are sticking around.

Fairchild Publications' men's fashion quarterly M and northeast Mississippi's new lifestyle title Mud & Magnolias. That marked a slight improvement over the 151 print titles that came to life in the same period a year ago, according to numbers released Monday from MediaFinder.com, which calls itself the largest online database of U.S. and Canadian publications.

An even more promising statistic for the period: Only 55 magazines folded, compared to a loss of 119 titles a year ago.

"We're going to have print until people work out the monetization of digital," said Trish Hagood, president of MediaFinder.com. "It's like the new normal."

Read and learn more

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Tuesday, September 25, 2012

Digital Publishing: New York Magazine Grabs Digital Ad Revenue - Scores Online Success

In the newly arrived digital age (really NOT so new, anymore) one of the great mysteries that has confronted magazines' digitization has been how to make money online --- A MUST for survival and transition from the sagging print editions.

Well, New York Magazine, once on the brink of failure itself, has solved this perplexing puzzle and should be a beacon of hope for other brethren of their competitive industry.

How did NYMag accomplish this? With intelligent foresight from a new, pioneering editor-in-chief AND a nimble business team that's equally adept at selling print and digital advertising.

Matthew Flamm, Crain's New York Business, takes us inside the minds and business decisions of the owners, managing staff and other players that not only rescued NYMag, but pushed it to the front of the pack:

Mags to riches

New York's Adam Moss is having his 'Approval Matrix' moment. The company's cashing in online. A publishing puzzle solved

To its groaning shelf of National Magazine Awards and bulging portfolio of stories extolling its business success, New York magazine can add one more credit: It's having its best year in a decade.

Both profits and revenue are the highest they've been since financier Bruce Wasserstein bought the barely profitable publication in late 2003 for $55 million and lured Adam Moss from The New York Times to become editor in chief. That move was among several that would make New York what it is now: a growth property at a time when much of the rest of the industry is struggling to hold its ground.

Observers also praise New York's owners for their willingness to invest for the long term and a nimble business team that's equally adept at selling print and digital advertising.

In addition, the magazine and website have racked up more National Magazine Awards since Mr. Moss' 2004 arrival than any other title during the same period.

The finishing touch has been an opportunistic approach to publishing, whether it's in print or online.

"We saw that we weren't just publishing a magazine, that we had a certain voice and way of looking at the world that could find expression in different products," Mr. Moss said. "Some would be distributed in print form and some digitally."

The editor in chief has gotten plenty of support from an A-list staff, including online Editorial Director Ben Williams, but veterans of the magazine cite Mr. Moss' vision as key to the company's success.
"He's got a really good balance between his own intense curiosities and a feel for what can resonate with a larger audience," said New York Times Magazine Editor in Chief Hugo Lindgren, who was Mr. Moss' longtime deputy at both the Times Magazine and New York.

Solving the mystery

Just as important, the company has solved the most pressing conundrum: how to make money online. Consumer magazines draw only about 5% to 15% of their ad sales from their digital operations, analysts and insiders say. New York's digital properties, by contrast, account for 40% of the company's total ad sales.

Read and learn more

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Friday, May 18, 2012

American Book Industry Growing Overseas (Print & Digital)

American Books Export Growth
TV shows and Hollywood blockbusters have always been good American cultural exports --- But, guess what? American books have joined the "great American cultural exports" group.

The Association of American Publishers, tracking book exports for the first time, have found some interesting facts about why non-English speaking countries are now seeking American English titles.

And, AAP offers some good statistical growth figures over the past couple of years.

More details by Matthew Flamm, in Crain's New York Business:

New York books find foreign audience

Sales of American-published authors rose 7% in 2011 thanks to a 333% spike in e-book sales, report says. Young readers overseas want to learn English.

TV shows and Hollywood blockbusters aren't America's only cultural exports. The book industry is also expanding overseas, according to a report released Friday by the Association of American Publishers that looks at book exports for the first time.

Exports by U.S. publishers, which are dominated by the big six New York houses, rose 7% in 2011 over the prior year to $357 million. That included $22 million in e-books purchased overseas—a 333% spike—and $336 million in print books, a bump of 2%.

Continental Europe made up the biggest market, with sales of $83 million, up 15%. The United Kingdom was second, with $64 million in sales, up 23%, followed by Latin America, which was up 15% to $17 million.

The report attributed the growth to the spread of online booksellers and the international emergence of e-books in 2009. Historically, foreign distributors, particularly in non-English language countries, offered only 5% to 10% of U.S. publishers' English-language titles.

Read and learn more

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Monday, February 13, 2012

Big Name Author Publishes Direct to E-Book

Skip The Maze, Publish
Direct to E-Book
Mark Salzman (Iron & Silk and The Soloist) is bypassing traditional publishing and publishing direct to digital format through the Manhattan-based digital startup Open Road Integrated Media.

The circumstances that led him to this decision are interesting and I think you will appreciate the insight:

From Crain's New York Business by Senior Reporter, Matthew Flamm:

Author Mark Salzman, best known for his memoir Iron & Silk and his novel The Soloist, will forgo the traditional publishing route for his next title and bring it out as an e-book with the digital startup Open Road Integrated Media. The Man in the Empty Boat, which grew out of a show the writer has been performing, will be released Tuesday, the Manhattan-based publisher announced Monday.

The memoir marks one of the more high profile acquisitions for Open Road, which was co-founded by former HarperCollins CEO Jane Friedman in 2009. Much of its publishing list is made up of e-book reissues of bestselling titles put out before literary houses began holding onto electronic rights.

The Man in the Empty Boat started as a monologue, An Atheist in Freefall, about Mr. Salzman's family and the catastrophic year in which he suffered panic attacks and the loss of his sister.

“The piece began not as a book but as notes for a monologue that I performed at the Sun Valley Writer's Conference in 2010,” Mr. Salzman said in a statement. “Jeffrey Sharp, president of Open Road, happened to be in the audience that day. He's a dad like me and the story seemed to hit him dead center.”

Mr. Sharp, who is also a filmmaker, plans to develop film and television projects out of the book.

The memoir will be published in both e-book and print-on-demand editions.


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Saturday, December 31, 2011

How About Some Final Stats for 2011 Publishing

Print or Digital, books are still books
My last post was on some publishing trends for 2012.

Let's now take a look into some final analytical numbers for 2011 publishing ... What the hell is the state of the union RE publishing, anyway?

The following is a cross post from my Publishing/Writing: Insights, News, Intrigue Blog:

Did the Book Industry Take it on the Chin in 2011? Inside Some Numbers


It’s really hard to tell by the analytical parameters that the old book industry trackers (such as Nielsen BookScan) has set up to take the measurements. BookScan doesn’t even track e-books yet! What the hell are they waiting for? You have to get e-book numbers through other sources such as the Association of American Publishers (AAP).

Let me say now that books are books … regardless of the media they are presented in. And they should be included in any analysis of the overall health of the book publishing industry.

But, this bit of industry analytical dabbling in the following article from Crain’s New York Business by Matthew Flamm does provide an interesting insight:

No happy ending for book industry

Book sales in 2011 dropped 9% overall, with mass market paperbacks seeing the biggest declines. Adult hardcovers—the industry’s biggest moneymaker—saw a 10% drop.

The book industry took it on the chin in 2011, though e-book sales continue to offer the promise of better times to come.

Through Dec. 25, total unit sales of physical books fell 9% to 640.6 million, according to Nielsen BookScan, which tracks 75% of the market. That compares to a drop of 4% in 2010, and 3% in 2009.

Some categories were hit particularly hard. Sales of mass market paperbacks, a category that has been hurting for years, fell 23% to 82.2 million copies. More troubling, perhaps, was the 10% drop, to 164.1 million units, in the adult hardcover category, which is the industry’s biggest moneymaker. Trade paperbacks proved the most resilient of the major formats, with a 6% sales decline, to 351 million copies.

Among subject groups, adult fiction suffered the most, with an 18% plunge to sales of 160.3 million copies. Commercial fiction tends to sell particularly well as e-books. Adult non-fiction was down 10%, to 263 million copies.

(John’s Note: By the way, how many know the definitions of (or differences between) the following categories: adult fiction, commercial fiction, mass market paperbacks, trade paperbacks, adult hardcover?)

Read and learn more


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Thursday, March 17, 2011

Newspapers Charging for Digital Content...Logical or Insane?


The mobile devices, especially the new tablets, resuscitated a suffocating print newspaper biz by creating a popular niche for them online...And ever since, powers-to-be have been splitting their mind atoms trying to figure out how to monetize the digital news online!

The Financial Times has been charging for online content for some years, Rupert Murdoch's The Daily is a subscription news rag on the iPad only that you have to subscribe to (haven't heard how successful this is yet) and now the NY Times is implementing a pay model on 28 March 2011.

First, let me say I believe all good content producers should make money.

Second, I also believe that the NET should remain free to users and that good digital content providers will (many already have) monetize through online paid advertisers.

Having said that, now let me move to point: Many newspapers have been forced online to make up for lost print ad revenue...But, from all I've read, this move has been successful and their digital ad revenues are up (and even pulled some of the print ad moolah back up due to pulling in new print subscribers from digital-savy young readers).

If I am right, and I invite opposing points of view, then why in the hell do the newspaper publishers NEED to charge online visitors a subscription fee also?

Could it be old-fashioned GREED? You damn right! At least that's how I'm reading this right now.

You see, The NY Times wants to charge $15, $20, all the way up to $35 (depending on your package) per month! Hell, Rupert only charges around $9.95 per month for his Daily.

If your opinion is otherwise and you have supporting information...convince me.

Matthew Flamm, of Crain's New York Business, has these details on the upcoming NY Times pay model:

NY Times to charge for digital content

After a couple of years of talking about charging for online content to make up for declining print advertising revenue, The New York Times Co. has finally put its pay model where its mouth is. The company's flagship newspaper announced Thursday that its new metering system and paid mobile applications will launch globally March 28. A smart phone app package was made available Thursday in Canada.

Employing a system similar to the one that has been used successfully for years by The Financial Times, NYTimes.com will allow visitors to read up to 20 articles a month without paying. Once they go over the limit, they'll be charged $15 a month for access to the website and to the New York Times' smart phone app. A $20 monthly payment buys access to the website and the paper's tablet app, while $35 is good for complete digital access.

Subscribers to the print edition will continue to have free access to all digital extensions. As of September, the paper averaged 575,000 subscribers to the daily paper, and 990,000 to the Sunday edition, according to the Audit Bureau of Circulations.

In a bid to hold onto advertisers drawn by NYTimes.com's massive audience, visitors who arrive at the site via search, blogs and social media will not be charged either, even if they have gone over their monthly limit. Some search engines will have a daily limit of free links, however.

The long awaited announcement drew a mixed reception from analysts, with some arguing that the Times was charging too much.

“The pricing is pushing the edge of what may be possible,” said Ken Doctor, a media analyst at Outsell Inc., who added that the upward limit on digital payments was generally considered to be $9.95 a month. “It's an uphill battle to get non-print people to pay a minimum of $195 a year for something that was free.”

Tuesday, December 28, 2010

Reader's Digest Takes Center Stage with New Products


Readers Digest (RD), having emerged from Chapter 11 last February, is rolling out new print AND online products to grow and , hopefully, prosper in the 21st century!

Read my previous posts on the RD dilemma for background: RD Morphing into 24 New Products, RD Association(RDA) Emerges from Chapter 11 and RD, Playboy and Others Miss Rate Base

Readers Digest is 88 years old (that's even older than I am!) and it's editorial insight and expertise is unsurpassed! Not to mention the extremely relevant cutting edge humor. I wish them all the success in the world...and then some...

Matthew Flamm, writing for Caine's New York Business, has these details:

Reader's Digest gambles on new products

The venerable company is rolling out several mobile products next month, as well as a new brand, Best You, which will target women over 35 with e-mails, magazines and books.

The 88-year-old brand, which previewed a coming overhaul in September, will debut a slew of new online and print products next month. First up is Best You, a brand launching Jan. 6, the New York City-based Reader's Digest Association Inc. announced on Tuesday.

Best You, which will target women 35 and older, will include a free daily e-newsletter, a series of newsstand-only magazines and a new book imprint, all focused on health and wellness subjects. The imprint's first title will be Le Personal Coach, by French trainer Valerie Orsoni.

Reader's Digest had initially planned to roll out a Best You magazine last March, but cut back on plans for that title and others following the continued weakness of the economy and the company's bankruptcy filing last summer. The publisher emerged from bankruptcy in February.

A new Reader's Digest will also debut next month when the redesigned magazine hits newsstands Jan. 18. In a money-saving strategy that the company describes as going back to its roots as a content curator, the 10-times-a-year title will mostly consist of stories that have already appeared elsewhere.

Read and learn more