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Showing posts with label copyright laws. Show all posts
Showing posts with label copyright laws. Show all posts

Thursday, April 28, 2016

Supreme Court Authorizes Stealing Books From Authors!


Stolen Books
On Monday, 18 April 2016, the Supreme Court (SC) let stand a lower court's ruling that allowed Google to mass copy/scan millions of authors' books without their permission or granting them any remuneration.

By legitimizing Google's mass digital scanning of authors' books without their permission or remuneration, the Supreme Court believes that authors' work, created from their own imaginations, is NOT their own property! I guess then Google owns our very imaginations?

Hogwash! What a bunch of rubbish. What is the sense or purpose of copyright laws, if the SC won't even recognize or uphold them?

Books no longer under copyright are excluded. But, books still under copyright law should not be copied, in part or in whole, without the permission of and some kind of remuneration to the authors (or their estates), especially when the use of the scanned/copied books results in profits.

Something is rotten in the state of supreme law (if there is such a thing on this earth). Could it be that the SC is overly influenced by the wealth of some corporations and not enough by fairness in law and true ownership?

What say you?

Read more about this topic in the research article for this post:

US Supreme Court Rules in Google’s Favor After Decade+ Legal Fight With Authors 

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Monday, December 30, 2013

Legal Claims of Copyright Infringement Based on Copying of Scholarly Articles

Effective Use of Copyright?
Lawyers processing applications for patents before the U.S. Patents and Trademark Office (PTO) sometimes copy scientific articles from academic journals to help comply with a duty to disclose "prior art" that bears on the patentability of the claimed inventions.

Makes sense, right? AND, even though the articles in the journals are copyrighted (and, in my opinion, by the wrong people - the academics that performed the research should hold all rights) this kind of use of copyrighted material properly and sanely falls within the 'fair use' doctrine set forth in the U.S. Copyright Act.

BUT --- the publishers of commercial academic journals (of which I am no fan) think NOT  --- AND have taken these patent processors to court for copyright infringement.

Guess who's wining these little publishing dramas?

On second thought, let's NOT guess. Let's find out in this interesting resource article from Lexology in cooperation with ACC (Association of Corporate Counsel) written by Edwin L. Fountain and Jessica D. Bradley:


Can a patent application violate the copyright laws?

Recent decisions from two federal district courts have rebuffed efforts by publishers of scientific journals to claim copyright violations based on the copying of the publishers' articles for purposes of preparing patent applications submitted to the U.S. Patent & Trademark Office ("PTO"). While these decisions confirm that copying and distributing articles in conjunction with preparing patent applications should fall within the "fair use" exception to copyright infringement, the plaintiff publishers have indicated their intentions to seek appellate review of the issue.

Plaintiffs' Allegations

Plaintiffs in the cases are the American Institute of Physics and the publishing houses John Wiley & Sons, Inc. and Blackwell Publishing, Ltd., which produce and distribute scientific journals that contain scholarly articles in several scientific disciplines. (Blackwell Publishing is a subsidiary of John Wiley & Sons.) The defendants are law firms that prosecute patent applications before the PTO as well as foreign patent offices. The law firms downloaded or copied various articles published by the plaintiffs. The firms subsequently submitted copies of those articles to the PTO as evidence of "prior art" in conjunction with applications for patents and distributed copies to their clients, lawyers within the firm working on the applications, and, in some instances, foreign patent attorneys.

In American Institute of Physics and John Wiley & Sons, Inc. v.Schwegman, Lundberg & Woessner, P.A. (D. Minn. Civ. No. 12-528), plaintiffs initially asserted that the law firm engaged in unauthorized copying by submitting copies of the articles to the PTO. The plaintiffs subsequently abandoned that allegation (after the PTO itself intervened in the case on the side of the defendant) and focused their claims on the firm's downloading, storing, internal copying, and distribution of the articles by email. The firms had downloaded 18 articles, most of them from the PTO's own website but others from varied sources. The firm then copied the articles to the firm's document management system, where they were accessible to lawyers in the firm. The publishers asserted that these activities, along with viewing the documents and emailing copies of certain articles to the firm's clients or other attorneys, constituted infringement. On August 30, Judge Richard Kyle of the District of Minnesota entered summary judgment for the defendants, adopting a prior report and recommendation of a magistrate judge.

In two other cases, American Institute of Physics and Blackwell Publishing, Ltd. v. Winstead PC (N.D. Tex. No. 3:12-CV-1230) and John Wiley & Sons, Ltd. and American Institute of Physics v. McDonnell Boehnen Hulbert & Berghoff LLP (N.D. Ill. No. 12 C 1446)—and again, after intervention by the PTO—the plaintiffs similarly amended their complaints to disclaim any allegation of infringement based on submission of copies of copyrighted articles to the PTO, or on retention of file copies of the works submitted to the PTO. Instead, the amended complaints focus on the defendant law firms' unauthorized copying of articles from plaintiffs' journals, including the allegation that the firms charged their clients for the copying and thereby directly profited from its infringement. In Winstead, Judge Barbara Lynn of the Northern District of Texas issued a written decision granting summary judgment for the defendants on December 3. The McDonnell Boehnen case, brought in the Northern District of Illinois, is currently still in the discovery stage.

A fourth case, John Wiley & Sons, Inc. and American Institute of Physics v. Hovey Williams LLP (D. Kan. No. 5:12-cv-4041), was voluntarily dismissed after the defendant took a license from the Copyright Clearance Center.

The Fair Use Defense

The defendants in these cases invoked the fair use doctrine set forth in the U.S. Copyright Act. The Copyright Act provides that copyright infringement occurs when a person copies or distributes a copyrighted work without authorization. The Act also provides, however, that certain uses of copyrighted material are "fair use" and thus do not constitute infringement. The Act lists several examples of fair use, including "criticism, comment, news reporting, teaching[,] or research," and then goes on to set forth four nonexclusive factors for determining whether a particular use of copyrighted material is fair use:
 
1.    The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
2.    The nature of the copyrighted work;
3.    The amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
4.    The effect of the use upon the potential market for or value of the copyrighted work.

Because a finding that a use is "fair" depends upon an after-the-fact judicial balancing of these and other factors, the Supreme Court has insisted that a fair-use analysis may not "be simplified with bright-line rules, for the statute, like the doctrine it recognizes, calls for case-by-case analysis." Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569, 577 (1993).

The Defendants' and the PTO's Arguments






Wednesday, April 18, 2012

Further Dissecting Copyright --- And Its Attached Intrigue

Copyright Has a long Tail
I have posted numerous times on the new conundrums RE copyright brought on by all the new tech and resulting media formats and platforms.

But, tonight, let's really examine and define the damn concept as it is applied in the United States.

I think the exercise will make copyright clearer in the minds of many.

The overview I have chosen is concise, yet detailed, with many informative links to the appropriate sections of the constitutional law.

From Cornell University Law School:

copyright: an overview

The U.S. Copyright Act, 17 U.S.C. §§ 101 - 810, is Federal legislation enacted by Congress under its Constitutional grant of authority to protect the writings of authors. See U.S. Constitution, Article I, Section 8. Changing technology has led to an ever expanding understanding of the word "writings." The Copyright Act now reaches architectural design, software, the graphic arts, motion pictures, and sound recordings. See § 106. As of January 1, 1978, all works of authorship fixed in a tangible medium of expression and within the subject matter of copyright were deemed to fall within the exclusive jurisdiction of the Copyright Act regardless of whether the work was created before or after that date and whether published or unpublished. See § 301. See also preemption.

The owner of a copyright has the exclusive right to reproduce, distribute, perform, display, license, and to prepare derivative works based on the copyrighted work. See § 106. The exclusive rights of the copyright owner are subject to limitation by the doctrine of "fair use." See § 107. Fair use of a copyrighted work for purposes such as criticism, comment, news reporting, teaching, scholarship, or research is not copyright infringement. To determine whether or not a particular use qualifies as fair use, courts apply a multi-factor balancing test. See § 107.

Copyright protection subsists in original works of authorship fixed in any tangible medium of expression from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. See § 102. Copyright protection does not extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery. For example, if a book is written describing a new system of bookkeeping, copyright protection only extends to the author's description of the bookkeeping system; it does not protect the system itself. See Baker v. Selden, 101 U.S. 99 (1879).

According to the Copyright Act of 1976, registration of copyright is voluntary and may take place at any time during the term of protection. See § 408. Although registration of a work with the Copyright Office is not a precondition for protection, an action for copyright infringement may not be commenced until the copyright has been formally registered with the Copyright Office. See § 411.

Deposit of copies with the Copyright Office for use by the Library of Congress is a separate requirement from registration. Failure to comply with the deposit requirement within three months of publication of the protected work may result in a civil fine. See § 407. The Register of Copyrights may exempt certain categories of material from the deposit requirement.

Read and learn more

How long does copyright protection last?

Friday, March 23, 2012

Copyright Reinstatement Deemed Legal for Certain Works --- What Happens to Public Domain?

Supreme Court -
 "Right or Wrong, That's
My Ruling!"  
First, the definition of public domain RE literary or artistic works:

Public domain is the status of a literary work or an invention whose copyright or patent has expired or that never had such protection --- In other words, all initially accrued rights to the creator have expired. (I often wondered why they should ever expire ... but, I can see the other side to this, mainly for educational purposes).  


Many professions, researchers and teaching professionals (think libraries) rely on free access to works in the public domain to carry out their missions. So, what happens if a great old masterpiece has its copyright reinstated ? What is the fallout ?
 
You know what I think the supreme court did here ? The thing they always do the best --- create a clusterfuck !
 
Meaghan Hemmings Kent, writing on Lexology.com for Venable LLP has this insight:  
 
On January 18, 2012, the Supreme Court confirmed 6-2 that certain works that had entered the public domain could have their copyright restored. Golan v. Holder, Case No. 10-545. The works affected are estimated to number in the millions and could include films by Alfred Hitchcock, such as The Birds; books by Virginia Woolf, such as Mrs. Dalloway; symphonies by Prokofiev, such as Peter and the Wolf; and paintings by Picasso, such as Guernica.

The decision will not only affect the copyright owners, but also anyone who relies on public domain works, particularly those creating derivative works, reprint publishers, musicians, orchestra conductors, teachers and film archivists.

The case considered the constitutionality of a portion of the Copyright Act, 17 U.S.C. § 104A, that was enacted in 1994 by Congress in order to comply with the international accord, the Berne Convention. Section 104A allows for certain works that had previously entered the public domain to have their copyright reinstated. The types of works are non-U.S. works that were protected in their country of origin, but were not protected in the U.S. for the following three reasons:

1.They were exempt from copyright protection at the time of publication (i.e., Soviet-created works).

2.They were sound recordings fixed before 1972 (the U.S. did not protect sound recordings prior to 1972).

3.The author did not comply with U.S. statutory formalities of copyright under the old 1909 Copyright Act (such as the old requirement of copyright notice).

Read and learn more

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Tuesday, March 15, 2011

Copyright Intrigue - Courts Still Can't Get It Right!


The supreme court is still trying to decide copyright ramifications? Phew!...I don't care if the intellectural property is domestic OR foreign, the damn work should be automatically copyrighted on behalf of the creator!

Simple concept that should be reflected in any and all agreements between countries...Even the Berne Convention for the Protection of Literary and Artistic Works (“Article 18”), which the United States joined in 1989, requires that signatory nations provide copyright protection to certain foreign works. (John's Note: What's with this certain foreign works? should read: 'signatory nations provide copyright protection to ALL foreign works.'...The copyright concept is simple and should apply across the board in domestic as well as foreign works!).

More details by Dan Himmelfarb on Lexology.com

US Supreme Court grants certiorari in Golan v. Holder

Article 18 of the Berne Convention for the Protection of Literary and Artistic Works (“Article 18”), which the United States joined in 1989, requires that signatory nations provide copyright protection to certain foreign works. In 1994, Congress implemented Article 18 by enacting Section 514 of the Uruguay Round Agreements Act (“Section 514”), which restores copyright protection to certain foreign works that were previously in the public domain. On March 7, 2011, the Supreme Court granted certiorari in Golan v. Holder, No. 10-545, to decide whether Section 514 violates the U.S. Constitution’s Copyright Clause or First Amendment. The case is important both to businesses whose works received renewed protection under Section 514 and to businesses that wish to make use of such works.

Petitioners are orchestra conductors, educators, performers, publishers, film archivists, and motion-picture distributors who record, manufacture, and distribute foreign works in the public domain. Under Section 514, certain foreign works are now copyright-protected, and petitioners thus are prohibited from using those works unless they pay a licensing fee.


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Tuesday, February 15, 2011

Is Copyright a Relic?


Copyright a relic?

Many, especially since the birth of the internet, believe that the copyright concept is passé...

Excerpt from New York Times article: "They (John's note: the copyright non-believers) are abetted by a handful of law professors and other experts who have made careers of fashioning counterintuitive arguments holding that copyright impedes creativity and progress. Their theory is that if we severely weaken copyright protections, innovation will truly flourish (John's note: this is pure bull shit!). It’s a seductive thought (John's Note: I don't see how!), but it ignores centuries of scientific and technological progress based on the principle that a creative person should have some assurance of being rewarded for his innovative work."

Ok, so I editorialized the excerpt a bit.

I found this NYTimes article by Scott Turow, Paul Aiken and James Shapiro intensely informative about this modern copyright issue and it also provides historical background facts that are quite entertaining:

Would the Bard Have Survived the Web?

ARCHAEOLOGISTS finished a remarkable dig last summer in East London. Among their finds were seven earthenware knobs, physical evidence of a near perfect 16th-century experiment into the link between commerce and culture.

When William Shakespeare was growing up in rural Stratford-upon-Avon, carpenters at that East London site were erecting the walls of what some consider the first theater built in Europe since antiquity. Other playhouses soon rose around the city. Those who paid could enter and see the play; those who didn’t, couldn’t.

By the time Shakespeare turned to writing, these “cultural paywalls” were abundant in London: workers holding moneyboxes (bearing the distinctive knobs found by the archaeologists) stood at the entrances of a growing number of outdoor playhouses, collecting a penny for admission.

At day’s end, actors and theater owners smashed open the earthenware moneyboxes and divided the daily take. From those proceeds dramatists were paid to write new plays. For the first time ever, it was possible to earn a living writing for the public.

Money changed everything. Almost overnight, a wave of brilliant dramatists emerged, including Christopher Marlowe, Thomas Kyd, Ben Jonson and Shakespeare. These talents and many comparable and lesser lights had found the opportunity, the conditions and the money to pursue their craft.

The stark findings of this experiment? As with much else, literary talent often remains undeveloped unless markets reward it.

At the height of the Enlightenment, the cultural paywall went virtual, when British authors gained the right to create legally protected markets for their works. In 1709, expressly to combat book piracy and “for the encouragement of learned men to compose and write useful books,” Britain enacted the world’s first copyright law. Eighty years later, America’s founders expanded on this, giving Congress the authority to enact copyright laws “to promote the progress of science and useful arts.”

Copyright, now powerfully linking authors, the printing press (and later technologies) and the market, would prove to be one of history’s great public policy successes. Books would attract investment of authors’ labor and publishers’ capital on a colossal scale, and our libraries and bookstores would fill with works that educated and entertained a thriving nation. Our poets, playwrights, novelists, historians, biographers and musicians were all underwritten by copyright’s markets.

Read and learn more
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