A Writer's Dream: A Social Network for Long-Form Storytelling

Jonathan Harris, the founder
of Cowbird, now in testing.

Social network communication started and has remained as truncated thoughts. One of the most famous brand being 'tweets'.

What the hell is so 'sociable' about shortened thoughts?

How about a social networking place for slow, longer-form thoughts and storytelling?

Well it's here and attracting award-winning photographers and writers.

Jonathan Harris, an artist that re- imagines how humans relate to technology and to each other, started a project back in 2010 that eventually led to his creation of the new social website Cowbird that allows writers, photographers and other artists to interact in just such a manner.

The details of his project and how it evolved into Cowbird is intriguing, informative and interesting:

From The New York Times by Jennifer Preston 

Pull Up a Mouse and Stay a While

Starting on his 30th birthday in August 2010, Jonathan Harris began taking a photo every day of something he thought was interesting. He would write a short story about it and then post it online.

For the next 440 days, Mr. Harris, 32, a noted artist and digital technologist, whose work has been widely exhibited from MoMA to the Le Centre Pompidou in Paris, carried out his project. It has evolved into a new Web site he founded, called Cowbird — a social network that has attracted more than 7,000 people since it began last December, including award-winning photographers and writers. Mr. Harris said it is a place for slow, long-form storytelling, the “opposite of Twitter and Facebook.”

“We are at an interesting point in the history of communication,” Mr. Harris said. “We’ve gone from letter writing to chat to text messages to tweets. It is not clear to me that there is another level of compression. The question, is do we stay here or do we go faster?”

In less than three months, people from around the world have used Cowbird to create more than 7,600 mostly personal stories about people or moments in their lives, using words, pictures and sounds. All pieces are accompanied with a single photograph and some include audio. Some include a few words of text, others more.

For example, in a seven-minute story, illustrated with a portrait of a young French woman called Angelique, the woman’s ex-boyfriend, Scott Thrift, describes how they met, fell in love and drifted apart after being together for nearly three years.

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Writing a Great Short Story

What's so hard about writing a short story? Could be everything! But, if you get the basic elements right and stay focused, you have a better chance of writing a great short story that grabs your readers and stays in their minds.

So, what are the basic elements that produce a great short story? Lee Masterson, author of Fiction Factor, details some excellent ones in this article from Fiction Factor:

Short stories can be an excellent way to break into the competitive field of fiction publishing. Novel publishers are more willing to look at work written by an author whose work has already appeared in print. Magazines and periodicals love the short form, so selling the work can often be simpler than pushing an entire novel manuscript. Readers are more willing to pay money for work from an author they are already familiar with. Most importantly, though, short stories provide a fertile ground for bigger ideas to spring from.

The difficulty lies in mastering this challenging form of writing.

Some shorter stories manage to leave a lingering impression on readers long after the final word was written. Others leave readers with the feeling that they have missed the point entirely.

So how do you strike a balance between writing an effective, memorable short story and creating a short, aimless length of prose?

To make your short stories more effective, try to keep in mind these following points:

Theme

Establish a clear theme before you begin writing. What is the story about? That doesn't mean what is the plot line, the sequence of events or the character's actions, it means what is the underlying message or statement behind the words. Get this right and your story will have more resonance in the minds of your readers.

Snapshot

An effective short story covers a very short time span. Picture it as a snapshot of a particular moment in the life of the story. Of course, the character has a history and will often have consequences to face after the story's conclusion, too. But for the sake of this short story, only the explanation of the event is relevant. This explanation should be the illustration of the underlying theme to your story.

Bang!

Begin your story with a conflict scene. Throw your protagonist in the deep end. Open with the action. Hook your reader into the story by beginning in the middle of something big. Forget the scenery, or the bad guy who got your hero into this mess in the first place, or the reason your protagonist is dangling by his feet from a sheer cliff. There will be time to sprinkle those details throughout the story later. For now, concentrate on forcing your readers to wonder how he got into that situation. A reader who wonders this is a reader who will continue reading to find out!

Characters

Don't overload your story with too many characters. Each new character you introduce will bring a new dimension to the story, but it can also add unnecessary length. Too many diverse dimensions (or directions) will dilute the theme. Have only enough characters to effectively illustrate the theme.

Description

Space is extremely limited with short stories. Many publications adhere to strict word-counts and will not accept longer pieces. You need to make every word count. Edit your draft carefully and remove any obsolete words or phrases. Find a more compact way to say want you mean. Dig through a thesaurus to find words that more accurately convey what you want to say. Finding one perfect, strong noun can be more compelling than a whole descriptive paragraph.

Focus

The best stories are the ones that focus upon a narrow subject line. History, external details, surroundings, other characters - all extraneous details should fade into oblivion while you focus on your story's central theme. It can tempting to digress, and often more tempting to expand the fledgling idea into a full novel-length work. The tighter you squeeze the focus of the story, the more the reader will be pulled into the event you have drawn.

Twist

Surprise your readers. Add a little twist at the end of your story that leaves them wondering about your protagonist long after the story ends. Avoid the overtly predictable ending and make publishers remember your style.

Denouement

Don't leave your readers hanging in the dark at the end of your story. Be sure that your conclusion is satisfying, but not too predictable. Readers need to be left with a feeling of resonance, a feeling that they long to know what happened to the characters after you wrote that last word.


If you can successfully incorporate these tips into a compact, focused story, you just might find that you have created a memorable short story that lingers in the minds of readers and editors alike, long after they've finished reading!



© Copyright Lee Masterson. All Rights Reserved.


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Lee Masterson is a freelance writer from South Australia. She is also the editor of Fiction Factor (http://www.fictionfactor.com) - an online magazine for writers, offering tips and advice on getting published, articles to improve your writing skills, heaps of writer's resources and much more. Check out Lee's newest book, "Write, Create & Promote a Best-Seller" here and jump-start your writing career.