Corporate Publishing Profiting On Authors' Slave Wages |
Sad to say, but, the corporatized publishing
industry has no heart left! It apparently donated it to make room for balance
sheets, algorithms, marketing deception and other faceless, detached, formulaic
'analysis-crunchers' to determine the probable success of an author's
work. These so-called new tech 'advances' have replaced human, heartfelt,
intuitive relationships between authors, agents, editors and other blood and
flesh homo sapiens that actually considered little things like writing style,
grammar, flair, character development, intuition, plot creativity and twists,
etc., etc., etc. NOT TO MENTION the nurturing of newbie talent that can
only take place between two humans who breathe and understand raw talent,
creativity and their fulfillment through guidance, learning and experience.
I hate to say this, but it
would be neat if ALL writers (from all fields) took a stand and ONLY
self-published from now on!
Or, at least, until the true
creators (product producers) get their rightful share of the
profits!
Tonight we will investigate the
heartless, robotic state of modern corporate publishing and how its
success is tied to the slave wages of authors.
Tonight's research article “A
Lament for Modern Publishing” was published in The Irish Times and written
by Fiona O’Connor, a former Hennessy Short Story Prize winner. She
lectures at the University of Westminster and is artistic director of St John’s
Mill Theatre Company, Beaufort, Co Kerry
Key excerpts:
‘Publishing is a corporatised ,
market-driven, bottom-line privileging of the blockbuster, maintained by
writers’ low-wage drudgery; in this case it is writers who toil for
poverty-line rates with no security and few rights. Marketing
is king, and critics absorb the advertising code: do not offend.’
‘In 2014-15 the British and Irish publishing
industry turnover was £4.6 billion, up from £3 billion in 2013. Against this
apparent boom the Authors’ Licensing and Collecting Society warns that authors’
incomes have collapsed. The median income of established professional authors
is £11,000, down 29 percent since 2005. But the typical median income of all
writers is less than £4,000 and declining yearly. Output of books is rising
steadily: 185,000 releases this year in the UK and Ireland. The writer’s share of
this Benison is about 2.8 per cent – that’s 28 cents on a €10 book.’
‘The Big Five publishing giants – Hachette, HarperCollins,
Macmillan, Penguin/Random House and Simon & Schuster – point to the
techno revolution, evidencing their struggle
with even bigger monoliths such as Amazon as the problem, rather than
their own exploitative tendencies. But it is in the nature of corporatism to externalise costs
wherever possible. The costs of living as a writer get passed on – writers
teach, edit, review, ghost-write , cab-drive , put out in myriad ways so that they may write
the books that support the global corporate entity that is modern-day
publishing.’
Read the rest of the research article and learn
more about the vast difference between a seemingly buoyant industry and
third-world income-streams for those generating the product – this is deeply
appalling, actually.
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Research article: http://www.irishtimes.com/culture/books/a-lament-for-modern-publishing-1.2292101