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Showing posts with label James Patterson. Show all posts
Showing posts with label James Patterson. Show all posts

Wednesday, April 24, 2013

James Patterson Wants Government to Bail Out Book Industry


Renowned author, James Patterson, has placed rather aggressive ads in both the New York Times Book Review and Publishers Weekly lobbying good ole Uncle Sam to come to the aid of the book industry.

Mr. Patterson fears that without printed-on-paper books, literature will somehow dissipate and in his words: “A lot of it had to do with getting kids reading.”

Some observations and clarifications (from my foggy mind’s point of view):

- It’s interesting that he uses the term ‘book industry’ and not ‘publishing industry’ ---      The publishing industry, as a whole, is doing just fine.

- And ‘book’ has to be books-in-print media only - that are selected, published and marketed (also selectively) under an older business model that has become known as traditional publishing.

- Books today are not going away they are just coming in more enhanced formats, which will enhance literature not dissipate it.

- More kids are reading today (and sooner) than ever before in history since the advent of digital and devices.

Tonight we are going to present his interview with Salon in which he discusses his fear for the loss of literature and print books.

Two things before the interview, however:

1) The only thing constant in life is change itself. I dearly love print books and don’t feel they will EVER go away totally. But, there are those (throughout history) that can’t accept change as easy as others and fight it to no end --- Compare it to a big cruise liner heading North; the passengers can walk East & West and all around the decks all they want - but it won’t change the direction of that ship – it is still heading North (inevitable change, meant to occur).

2) Because I advocate for accepting the new digital publishing structure (even with initial faults), getting absorbed and involved in it and making improvements, does not mean I’m against improving the print book system and making it competitive as well in the modern market --- Let’s be honest, though, the TP model, before being challenged, was extremely inefficient and it doesn’t need a handout/s to be the same - it needs to get business-wise and more competitive --- It needs MANAGEMENT.
    
Salon interview by Daniel D'Addario:


James Patterson speaks out about his aggressive “book Industry bailout” ads


The bestselling author placed high-profile ads asking the government to bail out books. He talks to Salon.


James Patterson is in no need of a bailout.
The author of bestsellers including “Along Came a Spider” and “Suzanne’s Diary for Nicholas” currently occupies spots on four different New York Times bestseller lists with three discrete books. (Those would be “Alex Cross, Run”; “Now You See Her,” written with Michael Ledwidge; and “I, Michael Bennett,” written with Ledwidge also.)
Despite his success in a strain of genre fiction not often recommended in classrooms, Patterson has become, suddenly, the closest thing the publishing industry has to an ambassador. The multimillion-seller author placed an ad last weekend in the New York Times Book Review and in Publishers Weekly (depicted below) advocating for government intervention — the same sort of bailout Goldman got — in order to save an industry besieged by bookstore closings and consolidation of the few remaining major publishing houses.
Patterson cited books including William Styron’s “Sophie’s Choice,” Joan Didion’s “Year of Magical Thinking,” and Toni Morrison’s “Beloved” in service of his argument that the American publishing industry has, historically, been able to produce enduring classics — and that its power will be gravely foreshortened, and the number of classics limited, by  attenuated publishing and bookselling industries.
Salon spoke to James Patterson about his decision to publish the ad, and what comes next in the mission to save American book publishing.
Tell me about the decision to place the ad.
I do a lot of things to try to raise level of awareness of what’s going on in country right now. This is an unusual and different time for books, the most unusual in the history of this country. E-books are fine and dandy, but it’s all happening so quickly, and I don’t think anyone thought through the consequences of having many fewer bookstores, of libraries being shut down or limited, of publishers going out of business — possibly in the future, many publishers going out of business.
A lot of it had to do with getting kids reading. I have a site for school librarians, teachers, and kids to go to — readkiddoread.com. It’s a fairly big site: it does a fair amount of good. And I will have 400 scholarships for teachers at 21 universities this year. I’m giving 300,000 books.
So do you think a bailout of books is actually realistic? Or was it a kind of purposefully outlandish “Modest Proposal“?
I don’t think it’s a question of bailing out, necessarily. In Germany, Italy, and France, they protect bookstores and publishers. It is widely practiced in parts of Europe. I don’t think that’s outlandish. But people have mixed feelings about the government doing anything right now.
I haven’t thought about it but I’m sure there are things that can be done. There might be tax breaks, there might be limitations on the monopolies in the book business. We haven’t gotten into laws that should or shouldn’t be done in terms of the internet. I’m not sure what needs to happen, but right now, nothing’s happening.
The press doesn’t deal with the effects of e-books as a story. Borders closing down is treated as a business story. Where we are in Westchester during the summer, you’d think that’d be a bookstore haven, and there’s nothing. And that’s not unusual. I don’t think we can be the country we’d like to be without literature.










  

Tuesday, October 5, 2010

E-Books are Selling for More than Hardcovers!


And when I say "selling" I mean selling! People are buying $19.99 eBooks...

Ken Follett's Fall of Giants sold 20,000 eBooks in the last 7 days.

I have mixed feelings about this news, but can't help feeling excited if it means more money for the authors...But, I don't want to see buyers' expectations dashed either.

I guess when the dust settles the market will determine the price. But, 20,000 eBook copies sold in 7 days points to a vibrant eBook market developing.

Julie Bosman writes this fine account for the New York Times:

2 E-Books Cost More Than Amazon Hardcovers

Readers of e-books may not be able to turn paper pages, lend their copies to friends or file them away on living room bookshelves. But they do have the comfort of knowing that they paid less for them than for hardcovers.

Unless they bought “Fall of Giants” by Ken Follett, which was published by Dutton, an imprint of Penguin Group USA, last week. On Amazon.com, the price for the e-book was $19.99; the hardcover edition was $19.39.

Or “Don’t Blink,” by James Patterson and Howard Roughan, whose publisher, Little, Brown & Company, charged $14.99 for the e-book. Amazon priced the hardcover at $14.

Customers, unaccustomed to seeing a digital edition more expensive than the hardcover, howled at the price discrepancy, and promptly voiced their outrage with negative comments and one-star reviews on Amazon.

“Really, James Patterson?” wrote one reader from Elgin, Ill. “Why would it possibly cost more for a digital download than printed and bound ink on paper?”

Read more http://alturl.com/brbfu



Sunday, January 24, 2010

How James Patterson Changed the Publishing World

Whatever you may think of James Patterson as a writer, he has almost single-handedly revolutionized the publishing process. Here's exactly how he did this per Jonathan Mahler of the New York Times Magazine section

Like most authors, James Patterson started out with one book, released in 1976, that he struggled to get published. It sold about 10,000 copies, a modest, if respectable, showing for a first novel. Last year, an estimated 14 million copies of his books in 38 different languages found their way onto beach blankets, airplanes and nightstands around the world. Patterson may lack the name recognition of a Stephen King, a John Grisham or a Dan Brown, but he outsells them all. Really, it’s not even close. (According to Nielsen BookScan, Grisham’s, King’s and Brown’s combined U.S. sales in recent years still don’t match Patterson’s.) This is partly because Patterson is so prolific: with the help of his stable of co-authors, he published nine original hardcover books in 2009 and will publish at least nine more in 2010.

There are many different ways to catalog Patterson’s staggering success. Here are just a few: Since 2006, one out of every 17 novels bought in the United States was written by James Patterson. He is listed in the latest edition of “Guinness World Records,” published last fall, as the author with the most New York Times best sellers, 45, but that number is already out of date: he now has 51 — 35 of which went to No. 1.

Patterson and his publisher, Little, Brown & Co., a division of the Hachette Book Group, have an unconventional relationship. In addition to his two editors, Patterson has three full-time Hachette employees (plus assistants) devoted exclusively to him: a so-called brand manager who shepherds Patterson’s adult books through the production process, a marketing director for his young-adult titles and a sales manager for all his books. Despite this support staff and his prodigious output, Patterson is intimately involved in the publication of his books. A former ad executive — Patterson ran J. Walter Thompson’s North American branch before becoming a full-time writer in 1996 — he handles all of his own advertising and closely monitors just about every other step of the publication process, from the design of his jackets to the timing of his books’ release to their placement in stores. “Jim is at the very least co-publisher of his own books,” Michael Pietsch, Patterson’s editor and the publisher of Little, Brown, told me.

Read more http://alturl.com/px2v